Alfa Romeo 6C 1750 Gran Sport Spider, Zagato, #8513045, 1930

Location:
St. Michaels Concours d'Elegance, 2008
St. Michaels Concours d'Elegance, 2016

Owner: John H. Willock | Chestertown, Maryland

Prologue:

Image Source 1-6, 8-13, 15-16, 19: Nikon D750 (24.3 MP)

Image Source 7, 14-15, 17-18 by E, edited by the author: Canon CMOS (20.3 MP)

Image Source 20: Nikon D200 (10.2 MP)

We first spotted this car in 2008. Eight years later, we found the opportunity to make some decent images. In my un-edited shots, the owner-of-record sits nearby. He was a nice fellow—enjoying the eastern shore afternoon, smiling and chatting with folks like he were sitting alongside an old companion. Of course I mean the Alfa Romeo, which, as you will see in certain shots, remains in beautiful driving condition. The motor in particular shows beautiful patina, worth a close look.

Chassis #8513045 had long been the first entry in the Alfa Romeo portfolio. But for many years this profile relied on only one old image. As the portfolio evolved, I grew frustrated that the first profile in the master list was neither artistically polished, nor representative of a decent survey. Our second encounter with this car in 2016 presented an opportunity to provide this side of the 6C story some much-needed spectacle. Our expanded gallery moves front to back, inside and out, and includes some portraits, which I'm keen to use for their ability to deliver intriguing compositions. In this set, I particularly like the two portraits focusing on the firewall and fuse box. I rather see them as a triptych with the first motor composition (images 8, 9, and 10).

Some while after I considered the first iteration of the Alfa Romeo portfolio complete, I decided to add details captured by E on a Canon CMOS sensor. Images 7, 15, and 18 are false-medium format just as she composed (15.1 MP). Images 14 and 17 are cropped (8.4 MP). I feel they are all complementary of the images shot on the full-frame sensor, and provide a closer look at some of the more intriguing parts of this vintage Alfa.

More recently I improved and expanded the gallery once more. I replaced a flank detail that I had over-processed with a proper fascia image (5) that had long given me fits for the unfortunate shadows where the car sat. I updated the tail portrait (19) because, contrary to some of the others, I had not worked it enough. I then added E's fuse box detail (15), an element that is rather vital to the car's charm. I then revived my original shot from 2008, right at the end, for an even set of 20 images. So the difference between the first and last images illustrates at least 12 years of progress, (in which time the owner added mirrors). But there remain strange light facets and weird shadows throughout this set, and for that I like the work; it is sparkly and saturated and quite specific to the time and place.

References:

• Automobile Quarterly, Volume 7, Number 2, "Alfa Romeo 6C 1750," by Michael Lorrimer, p. 200
• Czap, Nick. Museo Storico Alfa Romeo: The catalogue. Milano, Italia: Giorgio Nada Editore, 2015, p. 55
• Power Behind the Wheel, Creativity and the Evolution of the Automobile by Walter J. Boyne, c. 1988 Stewart, Tabori & Chang, Inc., New York, NY, p. 162-164
• Christie's International Motor Cars - Pebble Beach Auction Catalogue, 1999, Alfa Romeo 6C 1750 Gran Sport, 1931 p. 122-123
• Zagato: The factory maintains an online database of their work.
• Bonhams: Chassis #8513033 sold at auction in 2008.
• Bonhams: Chassis #10814356, sold at auction in 2014.
• UltimateCarPage: The site provides general information, photographs, and dedications to specific chassis.

The greater family of the 6C Alfa Romeo became the archetype for volume production sports cars. Although each one benefits from the considerable engineering prowess of Vittorio Jano, Alfa Romeo produced many thousands of 6C spiders, demonstrating that a fast, reliable platform could be improved over numerous iterations to yield world-beating results. This strategy drives the formula for Porsche in the post-War era. In any case, the 6C cars take from Alfa's antique era sporting roots a sense of mounting excitement in the automobile as a competitive instrument, and imbue the simple steel chassis with more athleticism than most any driver had previously enjoyed. From 1500 cc to 1750 cc, the early 6-cylinder cars of Jano's devising build the foundation for an Italian love story filled with euphoric victory and tragic death, as well as the arrival of one Enzo Ferrari, then a young driver and Alfa Romeo team manager.

For the Gran Sport, forced induction raises power from around 64 brake horsepower up to 85 bhp, but more practically provides a wealth of mid-range grunt that the period's naturally aspirated cars do not possess. In the classic era, Italy constructed a broad network of autostrada, and Alfa Romeo cars set out to make full use of it. Whereas the typical flow of traffic would amble along anywhere between 40 and 50 miles per hour, the 6C 1750 Grand Sport can easily double that. Later 8-cylinder Alfa Romeo cars will do better than triple that figure, but being more exotic represent a sophisticated hammer pounding the already delicate boundaries of speed on public roads. The 6C is nothing quite so drastic, but still bears the seed of those incredible sports cars.

Motor: 1,752 cc straight 6-cylinder, cast iron block, iron hemi-head

Valvetrain: DOHC, 2 valves per cylinder

Aspiration: Memini DOA dual-choke carburetor, Roots-type supercharger

Power: 85 bhp @ 4,500 rpm

Drivetrain: 4-speed gearbox, rear-wheel drive

Front Suspension: beam axle, semi-elliptic leaf springs, friction dampers

Rear Suspension: live axle, semi-elliptic leaf springs, friction dampers

Architecture: pressed steel ladder-frame chassis with aluminum body by Zagato of Milan

Kerb Weight: 920 kg (2,028 lbs)

Wheelbase: 2,745 mm (108.1 inches)

0-60: about 14.0 seconds

Top Speed: 145 km/h (90 mph)

Etymology:

'6C 1750' refers to the motor configuration, a straight 6-cylinder of about 1.75 litre displacement. 'Gran Sport' refers to the fourth series update of Alfa Romeo's well tested Super Sport platform, with the notable addition of a roots supercharger. The term 'spider' descends from the carriage trade, which in motorcar parlance came to refer to open sports cars. 'Zagato' is the Milanese coachbuilder who provided the aluminum coachwork.

Figures:

From 1929 to 1933, Alfa Romeo built a reported 2,579 examples of the 6C 1750, doing so in six different configurations over four successive development series. In truth, the 6C is a model split across the 6C 1500 (Series 1 and 2), and the 6C 1750 (Series 3 through 6). These figures make the 6C 1750 a volume production sports car at a time when the thing itself does not exist. Of the total production figure, Alfa Romeo built 257 Gran Sport Spiders, all from 1930 to 1933. Of these, 213 comprise the 4th and 5th series from 1930 to 1932, whereas the 44 6th series cars are slightly more refined. Zagato most often provided the coachwork.

Common Qualities: Minor Differences among 6C 1750 Cars

Most examples of the 6C 1750 are not vastly dissimilar from one another, but all seem to be slightly different in some detail. The retrospective eye could expect as much from a series of Alfa Romeo sports cars with custom coachwork, and yet the volume we are considering numbers in the thousands. What makes sense then is to consider that the classic era is a prosperous time for the coachbuilding trade. Automobiles find a use for skilled craftsmen, and as auto racing pushes those skills to the limit, repeatable techniques from aviation filter down to four-wheel transport.

It might be worth comparing this fourth series car with the black fifth series car from 1931, chassis #10814368. The fourth series car here turns out athletically simple, carrying a few nicks along the way. Wheel and tire selection, grille, headlamp pods, windscreen, louvres, and most notably the running gear all mark differences in refinement, rather than technology.

Each 6C Alfa tends to its own personality. Chassis #8513045 seems to sit high in comparison with other examples. The bare metal wheels call attention to the car's posture, and mark the attitude as still somewhat antique, rather than purely classic. Similarly, the Dunlop Gold Seal tyres use a taller sidewall than the Michelins often seen on similar cars. Tall tyres and thin running gear enunciate the flatness of the design, whereas others, like our Series V car, look softer, smoother, and sportier.

Fourth Series: Design Notes on the 4th Series Alfa Romeo 6C 1750 Zagato

The chrome along the shoulder stretches uninterrupted from the grille to the tail. The doors stand straight, while some cars feature cut-down doors. The fenders sweep down then curve up without much hint of skirting or sensuality. This spider does without a hood, keeping the back deck simple. The windscreen can be folded to reduce drag. The louvres in the bonnet vent the motor. The louvres just behind on the bulkhead vent the cockpit footwell; here the louvres are small and trapezoidal in shape, whereas in other versions the louvres sit within a larger, rectangular cut-out.

A chrome brace runs along the lower edge of the body, then sweeps up along the edges of the door; later cars will do without chrome on the front edge of the door cavity. Chassis #8513045 also wears a prominent stone guard over the grille. Eight chrome strakes on the leading edge of the rear fender marry the vertical repetition of the louvres with nascent streamlining trends, strictly ornamental. All told, the 6C 1750 Gran Sport depicted here looks a standard example of the breed, with all its subtle peculiarities.

Inside-Out: Details of the 6C 1750 Motor

Images 7 and 12 reveal the low, frontward position of the carburetor and supercharger, whereas the head looks like plain camshafts sitting on bare block. You may also wish to compare these spartan camshaft covers with those of the luxurious 8C 2900B. Note the casting shape at the rear of the motor, accommodating the drive gears, and how that shape forms the center of the shafts in the eight-cylinder car. Though not entirely identical, this feature demonstrates Jano's concept of combining two high-revving four-cylinder motors to create a high-revving, dual overhead-cam straight-eight. I also love the ghost grey color of the bulkhead and firewall, reminiscent of the aircraft kits . The rivets and bolts and pressed panel lines give the machine an aviation-inspired finish.

The oval plaque on the block describes the type of oil to use in winter (inverno) and in summer (estate). Heading the plaque is the trademark "S.A.I. Ing. N. Romeo & C. - Milano," referencing Nicola Romeo's engineering company, which precedes by a few years the consolidation of the companies that formed Alfa Romeo. The prominent fuse box labels read, left to right: the front left headlight (luce piena faro sinistro), the front right headlight (luce piena faro destro), auxiliary headlights (lamp ausil fare, which do not appear fitted to the car), the fuel pump (pompa benzina), coil ignition (bobina), and the tail light (stop). If I've mis-represented any of these translations, please let me know.

Pedal Arrangement: Alfa Romeo Central Throttle Layout

The most important feature of the cockpit is the central throttle location, the round pedal that sits between the clutch pedal (labeled 'ALFA') and the brake (labeled 'ROMEO'). Stitched-in mesh helps to screen air from the vents in the footwell, and the floor still appears rudimentary—flat and rather carriage-like.