Online Auto Museum

Duesenberg Model SJ Mormon Meteor Special, J-557, 1935

Location:
Elegance at Hershey, 2014

Owner: Harry Yeaggy | Cincinnati, Ohio

Prologue:

Image Source: Nikon D200 (10.2 MP)

A little bit of luck and laziness... In 2014, I wasn't in the mood to invest much effort into classic automobile photography. I'd needed a new kit for a while, and had been renting equipment, testing different cameras and lenses in the process. Truthfully, I did not want the expense (or the extra resolution) of a new D800. (You will find D800 stock in the 12cylinders catalogue, though I can't imagine what my timeline would be like if everything I illustrated were 36.3 MP.) I probably should have rented something anyhow. Arriving at Hershey and finding J-557 waiting in the sun, well, like I said... luck and laziness. I made do with my ancient D200 and its filthy sensor. The trip was fun for other reasons though, as I brought along a good friend and experienced urbanex (urban exploration) photographer. Glitzy chrome and a garden party, Hershey was the opposite of his usual shooting environment.

When it came time to process, the D200's poor handling of high-contrast sunlight proved an asset. There's an old-school pop and granular definition to these images that newer, higher-resolution sensors have been built to eliminate. It's a little bit like Kodachrome. Shooting the lowest ISO possible always helped, (I still use very low ISO settings), pulling out natural grain while keeping the depth of field consistently sharp. The relatively low resolution also persuaded me to put together a decently large gallery that, for the first time, I finished in a common studio theme.

There is a shift within this profile, as I debated at the time whether to continue with my illustration-heavy process or switch to natural photographs. I actually chose the latter, then recanted. When I dived back to the work, I picked a simple chocolate backdrop that fits the same tonal range as the yellow paint, provides the requisite contrast, and complements the red accents. I would tone the brightwork differently these days, but these days I'd use better equipment, and so would the approach be different. That's the story. I know you will find better quality photos of J-557 elsewhere, and I know I'd do quite a lot more with this car today, but I still like the aesthetic direction that this set established.

References:

  • Automobile Quarterly, Volume 30, Number 4, Summer 1992, "They Always Called Him Augie" by George Moore, The Kutztown Publishing Company, Inc. Kutztown, PA, pages 20-21, 23
  • Automobile Quarterly, Volume 30, Number 4, Summer 1992, "Chariots of the Gods: The Grandeur of the Model J" by Randy Ema, The Kutztown Publishing Company, Inc. Kutztown, PA, page 55
  • The Truth About Cars: "Ab Jenkins and His Mormon Meteor, Part One," by Ronnie Schreiber, November 24, 2015. A lengthy historical presentation, few pieces will give so much information, let alone the period photos and paraphernalia.
  • BANGshift: A nice story about Ab Jenkins and the speed record tractor campaign.
  • Wikipedia: A decent piece on the Mormon Meteor.

 

Last Updated: Feb 22, 2024